Experiential Learning at its Best

Beyond the Classroom 2021 was a great success!

"We were so glad to be able to offer our Beyond the Classroom program again this year after taking a break due to COVID in 2020,” said Upper School Principal Ingrid Gustavson. An Upper School tradition, Beyond the Classroom is a four-year sequence of experiences designed to take students out of the classroom and into the broader community.

We enjoyed a great day of relationship building, exploration, and self-reflection.—Ingrid Gustavson, Upper School principal

“Beyond the Classroom offers an opportunity for students in grades nine through eleven to engage with the greater Salt Lake City community and its natural surroundings to learn leadership skills, identify areas of interest, and develop an understanding about how to have an impact through individual and collective action,” said Ingrid. “Students heard from guest speakers, worked in teams, and explored areas of our own backyard, like the state capitol and Three Creeks Confluence, while also having a chance to go much further afield in the High Uintas. Seniors focused on their college applications, with a full day of workshopping their essays with college counselors and English teachers. The smiles in the photos say it all! We enjoyed a great day (three days for ninth graders) of relationship building, exploration, and self-reflection.”

This year’s event was held on September 21 and included the following experiences.

Ninth Grade

Ninth graders enjoyed activities around the theme Water and the West, first learning about federal water policy—including tension between the federal government and states around managing and conserving water—from the Debate Team. They then worked with the Seven Canyons Trust and Jordan River Commission to understand current efforts to daylight creeks.

Ninth graders continued their Beyond the Classroom experience with learning rotations at Camp Roger, located in Utah’s High Uintas, on Wednesday and Thursday, and meetings with advisors and teachers on Friday.

Tenth Grade

Tenth graders spent the day at Camp Roger, where they enjoyed learning rotations involving watercolors and hiking.

Eleventh Grade

Eleventh graders spent the morning examining climate effects in the West and how they disproportionately impact communities. They then mapped the heat island effect in the Folsom Corridor before traveling to the state capitol to learn from Better Utah about Utah’s climate and air quality issues.

Twelfth Grade

Twelfth graders participated in a college counseling workshop where they received assistance with their college applications from Rowland Hall’s college counselors and senior English teachers.

Experiential Learning

“An editorial cartoon isn’t just a funny picture,” Pulitzer-Prize-winning editorial cartoonist Michael Ramirez told Rowland Hall eighth graders at a special virtual presentation on January 25. “A good editorial cartoon is a fine instrument of journalism: It defines an issue. It challenges hypocrisy. It reveals the best and the worst of humanity. It calls the reader to arms against the complacent, the lethargic, the evil-doers, the indolent body politic, the champions of the status quo, the sordid predators of society.”

Editorial, or political, cartooning isn’t often a subject that middle school students examine closely. So when Rowland Hall had the chance to invite Michael—uncle of eighth grader Elli Ramirez and senior Ke’ea Ramirez—to speak to eighth graders, teacher Sarah Yoon jumped at the chance. She knew that the discussion on editorial cartooning, free speech, journalism, and citizen responsibility would tie to current studies as well as give students a unique opportunity to interact with an esteemed artist: in addition to two Pulitzer Prizes (1994 and 2008), Michael’s awards include a 2015 Reuben Award for Outstanding Cartoonist of the Year (the highest honor the profession bestows) and three Sigma Delta Chi awards for excellence in professional journalism (1995, 1997, and 2007). 

Michael urged students to seek out balanced information on complex issues, noting that this practice will provide them with a more comprehensive view of those issues, help them better understand and solidify their own beliefs, and prepare them to have constructive conversations.

At the January 25 event, Michael talked about how he views his role to help protect and inform the public, and gave students the chance to ask questions about his work, his career path, and even his love of surfing. He also used the time to inspire students to become active citizens and, one day, voters. The job of members of a democratic republic, he told them, is to be informed.

“Information is a necessary component to guide you in a political system based on self-governance and individual liberties,” Michael explained. He urged students to seek out balanced information on complex issues, noting that this practice will provide them with a more comprehensive view of those issues, help them better understand and solidify their own beliefs, and prepare them to have constructive conversations.

“You cannot make a substantive opinion on anything if you don’t know the depth of what you’re talking about,” he explained. “You can’t build a car if you don’t know the mechanics of an automobile; in the same way, you cannot construct an argument unless you know the mechanics of the debate.”

Michael’s presentation encouraged students—some noted that it aided them in understanding the power of their voices, while others reflected on how learning about Michael’s career helped them realize that they can express themselves in creative ways. They tapped into this inspiration as they embarked on their post-event assignment: to create their own editorial cartoons. In the weeks following the presentation, they became junior editorial cartoonists, researching, editing, and drawing (by hand or computer) their opinions on topics such as the January 6 attack on the US Capitol and the impact of COVID-19. For Monica Fernandez, the assignment gave her a chance to share her views on a subject she cares deeply about: climate change.

“I decided on the subject of my cartoon because I think climate change is a very important and real thing in our lives, and we should all try and become more aware of it so we can make smarter decisions in our day-to-day lives,” she explained. Like Michael and his fellow editorial cartoonists do, Monica took time to research her topic and consider the best approach to make her viewers think.

Monica's perspective is a reflection of what she and fellow students took away from Michael’s presentation—that good editorial cartoons inform and challenge readers as well as draw them into debate and action, and that engaged citizens have a say in the destiny of their country.

“I decided to include an hourglass, because I think this was a good way to visually show how fast time is running out,” she reflected. “My original plan was to show different natural elements (animals, trees, glaciers, people, oceans), but after creating a rough draft I realized that it looked sloppy and didn’t get my point across. I decided to just use the visual of the globe, and I was more happy with that design. My end result was three hourglasses—as the time goes by, each hourglass has more sand at the bottom and less world left.”

Monica hopes that, in addition to making viewers think, this image may also inspire them to change behaviors. “Even the little things in life that we do on a day-to-day basis can affect how much longer we can all make this world last before it all runs out,” she explained.

Her perspective is a reflection of what she and fellow students took away from Michael’s presentation—that good editorial cartoons inform and challenge readers as well as draw them into debate and action, and that engaged citizens have a say in the destiny of their country. The powerful images the students created prove that it’s never too early to help them think about their role as American citizens and sharpen the skills that will support them in that role. After all, as Michael pointed out, “Developing future citizens and participants in our democratic republic is so important.”

Experiential Learning

Introduction by Marianne Love, Fourth-Grade Teacher

Fourth grade at Rowland Hall is all about Utah. As we studied both brine shrimp and the legislative process this year, we thought, What better time than distance learning to combine the two?!

After learning how bills become laws, students took it upon themselves to petition our state government to make the brine shrimp the official crustacean of Utah. Who would ever think a landlocked state could possibly have a state crustacean? Students used their persuasive-writing skills to craft letters to our governor and state legislators. Below, Dean Filippone’s letter is one shining example of what a dedicated Rowland Hall fourth grader can create.

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May 6, 2020

Dear Governor Herbert, State Representatives, and State Senators:

I am a student at Rowland Hall in fourth grade and I am writing to you because I love the state of Utah. I only have one suggestion to make Utah even better: we can become the only landlocked state in the United States of America that has a state crustacean. The crustacean l nominate is the brine shrimp.

Brine shrimp are like people of Utah in that we are both persistent and don’t give up.

There are many cool facts about brine shrimp that remind me about Utah and the great people in it. For example, did you know that a brine shrimp is barely the size of a pencil eraser, yet because there are so many in the Great Salt Lake, their combined weight is more than 13,000 elephants? It reminds me of Utah because we are all very small in the face of the world, but when we work together we can do even the hardest things.

Another reason that brine shrimp should be the Utah state crustacean is because they’ve been around for over 600,000 years! Brine shrimp are part of this great state’s history, and should be acknowledged as a state crustacean!

Brine shrimp are like people of Utah in that we are both persistent and don’t give up. In fact, brine shrimp can survive at 221 Fahrenheit for two hours and still live. The cysts can even survive for 25 years without food! Utahns have survived a lot of persecution; not to mention challenges with the weather and having to form communities in the high mountains and mountain deserts. Brine shrimp and the people of Utah are tough!

Brine shrimp are very rare. Do you know that only Utah and California have brine shrimp in the United States?

It would be an honor to be the first landlocked state to have a state crustacean! Currently, there are only six states that have a state crustacean. They are: Oregon, Maryland, Texas, Maine, Alabama, and Louisiana. All of these six states are on the water. Unlike these states, Utah is landlocked so we would be unique as the first landlocked state to ever have a state crustacean. 

The final reason l hope you will consider is that brine shrimp are very rare. Do you know that only Utah and California have brine shrimp in the United States? It would be special to have them as our crustacean. These are dark days with COVID-19 so we should celebrate all nature and other things to make us feel better.

Thank you for your consideration, and l hope to hear from you soon.

Sincerely,
Dean

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Top image: Teacher Marianne Love wades in the Great Salt Lake during a fourth-grade field trip to Antelope Island in May 2018.

student voices

When kindergarten lead teacher Margaret Chapman learned she would be taking a two-month leave of absence in early 2020 for heart surgery, she knew that she—along with assistant kindergarten teacher Bethany Stephensen—would have many tasks to complete to keep their classroom running smoothly. At the top of the list? Making sure students had a safe place to think about this major change to their school days.

“This is a big event the children will be processing in the coming weeks,” said Bethany.

Dramatic play: A type of play where students assign, take on, and act out different roles.

To support students, Bethany and Margaret set up a special dramatic play area known as the kinder-cardiology unit. There, the children can try on the role of cardiologists who fix hearts—just like the doctors who will be fixing Margaret’s. Complete with white coats, medical masks and hats, exam and x-ray rooms, a file for records and prescription orders, and instruments like stethoscopes and thermometers, the area is the perfect place for kindergarteners to try out procedures on one another, as well as on the classroom’s many stuffed animals.

Margaret intentionally sits near kinder-cardiology as the children play so they can ask her questions about her surgery and what school will be like while she is away. This is important, Bethany explained, because dramatic play provides more than simple amusement for children—it also helps them sort out the big, and sometimes scary, things happening around them that they don’t fully understand and can’t control.

Dramatic play is a fundamental component of learning and development, helping children to work through their lived experiences and cope with emotions.—Bethany Stephensen, kindergarten assistant teacher

“Dramatic play is a fundamental component of learning and development, helping children to work through their lived experiences and cope with emotions,” said Bethany. “It is an opportunity for children—whose lives are largely controlled by adults—to feel powerful and capable.”

Gail Rose, 3PreK lead teacher, and Mary Swaminathan, 3PreK assistant teacher, agreed. “Dramatic play allows children to act out their stories and gives them the opportunity to see the world from a different perspective,” they explained.

Knowing the importance of this type of play during early childhood, “we are always on the lookout for themes that are naturally coming up in children’s play or experiences in their lives that are impacting their experiences at school,” Bethany said. “We then develop emergent curriculum to scaffold children’s learning through play opportunities based on our observations.”

And while adult involvement can be beneficial in certain types of dramatic play, Rowland Hall’s Beginning School teachers are also clear that children need access to unstructured, or open-ended, play.

“We strive to find a balance between structured and unstructured play experiences,” said Bethany. “It's important to us to be mindful of when children should be left to their play and when adult involvement and encouragement of specific types of play or skill practice is beneficial.”

Unstructured play among children helps them develop important social skills they’ll need for life, like teamwork, confidence, problem-solving, language development, self-control, and emotional regulation. Best of all, children don’t need much to make it happen: dramatic play requires minimal props and only a bit of space, whether it’s in a classroom or in an open area like a playground.

Dramatic play can also be encouraged in home spaces, further benefiting children. For parents and caregivers wishing to continue this kind of play outside of school hours, Gail and Mary gave the following tips:

• Be a good listener to find out what interests your child.

• Be open to joining dramatic play in a supportive role, but don’t direct it.

• Remember that dramatic play only requires some space and minimal props—use what is available.

• Read quality children’s literature to help give kids ideas.


Above all, they said, remember that children are natural storytellers—you can support them by simply being a good listener, and, most of all, by having fun.

Experiential Learning