Grieg Aus Holberg's Zeit Movement I. Praelude, performed by the Rowland Hall Advanced Chamber Ensemble.
…permeates the halls and hearts of Rowland Hall, from lower schoolers singing festive songs and playing handchimes in the annual holiday show, to the Upper School jazz band’s surprise concerts at morning meetings.
Children move creatively to music, explore the singing voice, develop melody, play simple musical instruments, discover beat and pulse, learn patterns, and play their own musical creations.
Read more: Beginning School specialties
Our curriculum develops musicianship, provides hands-on experiences in performance and theory, and nurtures musical artistry. Students learn through the music-education approach Orff Schulwerk, of which our music teacher Cindy Hall is widely recognized as an expert. It combines singing, movement, poetry, and playing instruments. Based on national standards, the curriculum provides students with age-appropriate skills and a conceptual understanding of composing, performing, reading and writing music, music analysis, and music's ties to history and culture.
Read more: Lower School specialties
Middle & Upper Schools
Students can pursue their musical interests through a variety of program offerings, explained below and detailed on divisional pages.
Read More: Middle School electives
Read More: Upper School curriculum
Rowland Hall is known for having one of the best instrumental jazz performance programs among Utah high schools. Starting in the Lower School, students can sign up for beginning band, and very often stay involved through twelfth grade, honing their talents under the direction of professional musician-teacher Dr. Bret Jackson.
Middle and upper school jazz musicians regularly perform at school concerts and functions. Dr. Jackson helps his students, no matter their level of technique or years of experience, develop a better understanding of jazz through both performance and study of styles and musicians. Band members improve their skills in improvisation, reading and interpreting music notation, and articulation of musical notes and phrases.
The Lower School offers an orchestra class for students of any level to learn fundamental string technique in a supportive environment.
Both lower and middle school orchestras perform a variety of classical and popular repertoire at concerts throughout the year. The Middle School also offers an advanced orchestra elective open by audition to advanced string players, pianists, and other classically trained musicians.
In the Upper School’s orchestra class, students further their musicianship in preparation for performance beyond high school. Students may compete at regional and state festivals and perform at school concerts and off-campus venues.
Upper schoolers experienced in reading notated music may take the Advanced Topics Music Theory course, which prepares students for advanced music theory courses in college. The class culminates in a recital showcasing students' compositions.
The Upper School also offers the Advanced Chamber Ensemble, featuring high-level student-musicians playing college-level repertoire—listen to a 2018 recording below.
In the Lower School, the optional after-school Chorus allows motivated third through fifth graders to perform a more advanced repertoire.
Middle and upper schoolers study music of different periods, styles, and difficulty levels. Skills such as singing with pitch accuracy, proper vocal tone, correct breathing and posture, balance and blend, diction, and proper rehearsal/performance etiquette are vital to the program.
In Middle School, a choir elective focuses on developing good vocal and ensemble technique. Students learn and perform songs from a variety of styles and cultures, including current music.
The Upper School choir's repertoire ranges from classical to a cappella, ancient to modern, and simple to complex. Singers strive for accuracy, expression, and style. Performances include school concerts, chapel services, region festivals and competitions, and community events.
Winged Lion musicians enjoyed a banner school year dotted with captivating chapel and morning-meeting performances, well-attended concerts, a visit from a Stradivarius-playing concertmaster, and glowing reviews at competitions.
Highlights for the year, according to music teachers Sarah Yoon and Jeremy Innis:
On October 16, our Advanced Chamber Ensemble (ACE) performed at Primary Children's Hospital for the third year in a row; read our November 2017 story about ACE and their volunteerism. New this year, the hospital internally televised the concert for all patients to enjoy.
On April 23, Pacific Symphony Concertmaster Dennis Kim visited Rowland Hall for a masterclass, brown-bag lunch concert, and Q&A session. Dennis worked with our musicians in small groups, giving them direct, practical pointers—particularly on playing their instruments with passion. He also shared personal anecdotes, including the story of his career and how he acquired a Stradivarius violin, one of the most celebrated and valuable instruments in the world.
On May 2, ACE and the Upper School Orchestra performed music from Schindler’s List at the Jewish Community Center for Yom HaShoah, or Holocaust Remembrance Day. “It was very powerful to be among Holocaust survivors and family members,” Sarah said.
On June 1, choir students performed Aretha Franklin’s “Respect” along with our jazz band and dance company at the Salt Lake City Pride Parade; participation was driven by middle and upper schoolers in LGBTQ+ advocacy and allyship clubs.
Sixteen Rowland Hall students competed at Regionals on March 26. From there, one choir and all eight ACE students moved onto the Utah High School Activities Association’s State Solo and Ensemble South Festival held Saturday, April 27, in Provo.
At State, all of our competing students (listed below) received a “superior” rating, the highest on a five-point scale. View a full PDF of all results.
- Cora Lopez, contralto singer, La fleur que tu m'avais jetee by Bizet
- Claire Sanderson, piano, Chopin Nocturne
- Ziteng Zeng, violin, Mozart Rondo from Serenade in D minor "Haffner"
- Jake Bleil, string bass, Koussevitzy Valse Miniature
- Augustus Hickman, violin, Bach Concerto in A minor
- Austin Topham and Zach Benton, violin and viola, Handel Halvorsen Passacaglia
- Patrick McNally and Ziteng Zeng, violin, Vivaldi Concerto in D minor
- Augustus Hickman and Atticus Hickman, violin, Bach Double Concerto
The innovative show featured large-scale murals, traveling props, a costume menagerie, every style of dance, and integrated orchestral, vocal, and jazz music.
Rowland Hall Band Director Dr. Bret Jackson can end 2018 on a high note: the Utah High School Activities Association (UHSAA) this month named him Music Educator of the Year.
Athletics Director Kendra Tomsic nominated Bret. She said she's ecstatic UHSAA selected him and the honor is well-earned. "He is truly the consummate professional who loves his students and who loves to bring music into their lives."
It never fails that I see or hear him working with a student or students in the music room every time I walk by. —Athletics Director Kendra Tomsic, Dr. Jackson's nominator
Bret trains students to view music as a creative art that has relevance and potency in their lives, Kendra wrote in her nomination letter, and he's often the first person in the building each morning and the last to leave each night. "It never fails that I see or hear him working with a student or students in the music room every time I walk by," she added. "His dedication and commitment to creating a strong music program at Rowland Hall is incredible."
Through that dedication—plus his musical prowess and unfailingly friendly disposition—Bret has made a big impression on Rowland Hall since his 2005 hiring. He and his students have accumulated numerous awards, including top honors at state and region music festivals and competitions. And his contributions extend beyond the music department: he's always happy to organize a jazz band performance at sports games and other school events, Kendra wrote. "Any time our band is involved with a sporting activity, our fan attendance goes up exponentially because of the festive atmosphere that Dr. Jackson and his jazz band creates in the gym."
I feel lucky to have a career that allows me to help young people develop important life skills and a love for art through nurturing their musical talents.—Band Director Dr. Bret Jackson
Bret loves teaching young musicians in their formative years: he said his own life has been largely defined by the opportunities for growth, achievement, and leadership he had back in high school. "Recognizing this, I feel lucky to have a career that allows me to help young people develop important life skills and a love for art through nurturing their musical talents."
The top teacher added he's grateful for the award and bolstered by the recognition. "If it can help get the word out that there is great music being made at Rowland Hall, then all the better."
Read more about Bret in his biography.
The accolade is part of UHSAA's Distinguished Service Awards, initiated in 1987 to honor individuals for their service and contributions to high school activities. Bret will join 16 other coaches, officials, teachers, and contributors who will be honored at a January luncheon.
Bret is the seventh Rowland Hall employee on record to receive a UHSAA Distinguished Service Award. Full list:
- Dr. Bret Jackson, band director and music teacher, 2018 Music Educator of the Year
- Bobby Kennedy, girls soccer head coach, 2015 2A Coach of the Year
- Mark Oftedal, cross country and track and field coach, 2014 2A Coach of the Year
- Kathy Howa, softball and volleyball coach, 2013 Distinguished Contributor of the Year
- Shawn MacQueen, former boys basketball and golf coach, 2009 2A Coach of the Year
- Ryan Hoglund, former debate coach and current director of ethical education, 2007 Speech Educator of the Year
- Kendra Tomsic, director of athletics, 2004 Athletic Director of the Year
Professional Oboist Found 'Joy of Her Life' Teaching Children
Susan Swidnicki is a self-proclaimed evangelist for children's music education. On any given day, you can find her at one of six jobs throughout the Salt Lake Valley, most of which involve teaching children ages three through 18 to express themselves through music, song, and movement. Lucky for Rowland Hall, one of her positions is in our Beginning School, where for the past 16 years she's taught our littlest learners to embrace their natural love—and ability—for music.
Every child should receive a high-quality music education, Susan said. "It's super important." In modern-day society, where students are too frequently staring at screens and passive in their learning, Susan sees music education as a tool to help children learn to be more present. She cited the listening skills, self-control, and confidence students learn through music and movement, emphasizing that these foundational skills must be taught in early childhood.
For three-, four-, and five-year-old budding musicians, Rowland Hall's classes typically focus on finding their singing voices, learning rhythm and rhyme, and learning how to move through space un-self-consciously but with awareness of others. Susan also frequently uses games to enhance music lessons, and over the course of the year, introduces students to different instruments.
"You can learn so much faster, and more joyfully and naturally when you're a small child. You're wired to be receptive," Susan said. She added that schools or districts that wait until junior high to offer music have it backward. It's one reason she loves being part of the Rowland Hall community, a place where everyone is on the same page, understanding that "children are very capable, and we want to give them the best environment and best-quality materials we can." She added, "There's a real investment in best practices for young children."
For three-, four-, and five-year-old budding musicians, Rowland Hall's classes typically focus on finding their singing voices, learning rhythm and rhyme, and learning how to move through space un-self-consciously but with awareness of others. At that age, Susan joked, "learning not to just smash into everybody is a major skill." She also frequently uses games to enhance music lessons, and over the course of the year, introduces students to different instruments.
"Susan is uniquely talented with young learners," Beginning School Principal Carol Blackwell said. "Her music classes strengthen literacy and math skills while at the same time developing musical skills." Indeed, according to scientific research, musical training in young children benefits the brain in multiple ways, improving memory and overall language skills.
Becoming a music educator wasn't something Susan planned. She grew up in Cache Valley, where she began playing the oboe at age 12 and benefitted from what she described as a "super strong" music program in her school. In ninth grade, she started playing with the Utah State University orchestra. "I had a lot of opportunities to play," she said, "and I loved it." After high school, she earned a BA in oboe from the University of Utah and then a master's degree from the St. Louis Conservatory of Music.
However, securing a full-time job as a performing musician proved challenging. While working with the Flagstaff Symphony in Sedona, Arizona, Susan picked up a gig teaching at a Montessori school and discovered the joys and rewards of being an educator. Since then, she's worked diligently to develop her teaching craft, training in the Orff Schulwerk approach and the Kodály method. The latter focuses on teaching musical literacy through song—often using folk songs—and provides excellent ear-training for young learners, Susan said.
Cindy Hall, Lower School music teacher and fellow Orff educator, described the benefits of Susan's background and professional training: "Since the Orff approach emphasizes learning through play and sound before symbol, it is a natural fit for this age group and our Beginning School philosophy. Susan is a master teacher who draws in children and nurtures their budding musicianship, and we are so fortunate to have her start our students out on their musical journeys." Susan expressed in-kind admiration and said she's pleased to be handing students off to another highly skilled, passionate music educator in Cindy.
I have a very meticulous performing life, and then I have this kind of joyful improvisatory life with children where I can say, 'Oh, you like this nursery rhyme? Let's go act it out.'—Susan Swidnicki
While Susan described teaching children as "the joy of her life," she still maintains an active performing life. She is the principal oboist with the Ballet West Orchestra and an extra with the Utah Symphony, filling in when other musicians are ill or out of town. Add those two roles to teaching positions at Rowland Hall, Canyon Rim Academy, Westminster College, and the Zion Lutheran Church, along with being a single mother to two teenagers, and Susan's schedule could make your head spin.
She doesn't seem to mind juggling her professional obligations. "Mostly the challenge is just remembering what day of the week it is, so I can make sure I go to the right place," she laughed. And she's not ready to give anything up—the way she sees it, teaching and performing provide her with balance. While playing classical music requires discipline and exactitude, in the classroom, she thrives with creative freedom.
"I have a very meticulous performing life, and then I have this kind of joyful improvisatory life with children where I can say, 'Oh, you like this nursery rhyme? Let's go act it out.'"
Susan plans to keep adding to her resume, too. This summer, she'll be an instructor with SummerWorks—something she's enjoyed doing for years—and will travel to Seattle for a Smithsonian Folkways course on multicultural music for children. As a long-term project, she wants to develop a website that would provide fourth-grade teachers in Utah a collection of songs, folktales, and dances from the state's indigenous population to integrate into their curriculum.
Susan's goal is to lay the foundation for music to be both a practice and a pleasure that children will have their whole lives, and she loves watching them grow in confidence during the process. "The great moments are when children who have not been singing—who have only been listening—start singing, and then sing by themselves. They find their singing voice," she said. "Is there anything more rewarding than that?"